|
Hexagram Twenty-two Your symbol is Hexagram 22, adding decoration. Adorning oneself or being attracted to outer decoration in others is secondary to the real treasure, which lies within. The first line, yang, shows one who has decorated the path and thus gets out of the carriage to walk. Good fortune comes to one who knows the true wealth of simplicity and hard work. The second line, yin, shows a man brushing and trimming his beard. Although he attends to details, he is not attached to outer appearances. The third line, yang, shows one who wears jewels and gold. Remaining steady in purpose, respecting internal wealth as much as external, there is good fortune. In the fourth line, yin, a winged angel dressed in white, riding a white horse, gives blessings to the subject of the first line. A third person follows, wishing to resolve differences with the subject In the fifth line, yin, an opulent being appears, bearing a small bolt of silk. Although the gift appears meager, this being's real wealth lies in charm and good humor. There will be good fortune. The sixth line, yang, shows its subject dressed in white with no jewelry or ornamentation. There is no error in this, for inward aims and purpose are more important than outward adornment. To the reader: In all of the hexagrams, at least one of the lines may predict bad results, but that does NOT mean you are destined to get that result. The meaning is that you need to study the action-reaction to see what could go wrong. From there, focus on the positive outcomes in other lines. Study how different attitudes lead to better outcomes. Your future is in your hands. Consult the I Ching for ideas that lead to clear thinking and positive mental attitude. The I Ching teaches you to flow with changes. Create positive change from the inside through conscious living. Take the time to reflect on your attitudes and ideas. You are invited to read a new book on positive thinking, posted free at this site: click here to read "Dreaming Peace: Your Thoughts Can Change the World," by Nori Muster. exit |